Sougwen Chung, Assembly Lines, 2022.
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Cybernetic Culture Research Unit

Il Numogramma Decimale

H.P. Lovercraft, Arthur Conan Doyle, millenarismo cibernetico, accelerazionismo, Deleuze & Guattari, stregoneria e tradizioni occultiste. Come sono riusciti i membri della Cybernetic Culture Research Unit a unire questi elementi nella formulazione di un «Labirinto decimale», simile alla qabbaláh, volto alla decodificazione di eventi del passato e accadimenti culturali che si auto-realizzano grazie a un fenomeno di “intensificazione temporale”?

K-studies

Hypernature. Tecnoetica e tecnoutopie dal presente

Avery Dame-Griff, Barbara Mazzolai, Elias Capello, Emanuela Del Dottore, Hilary Malatino, Kerstin Denecke, Mark Jarzombek, Oliver L. Haimson, Shlomo Cohen, Zahari Richter
Nuove utopieTecnologie

Dinosauri riportati in vita, nanorobot in grado di ripristinare interi ecosistemi, esseri umani geneticamente potenziati. Ma anche intelligenze artificiali ispirate alle piante, sofisticati sistemi di tracciamento dati e tecnologie transessuali. Questi sono solo alcuni dei numerosi esempi dell’inarrestabile avanzata tecnologica che ha trasformato radicalmente le nostre società e il...

Quarantaine
Magazine, CAOS - Part II - Settembre 2022
Reading time: 1 min
Georgina Starr

Quarantaine

Georgina Starr, Quarantaine, film, 43 minutes, 2020.
Georgina Starr, Quarantaine, film, 43 minutes, 2020.

Georgina Starr, Quarantaine, film, 43 minutes, 2020.

“I associate quarantaine with the mythological and the alchemical rather than any particular definitive meaning of the word. When I chose the title for the film, it was well before the recent world-wide pandemic, so the word seemed more fluid and mysterious. I was thinking specifically about the idea of une quarantaine – a period I read about in Celtic mythology. It is believed to take place in the 40 days leading up to the 1st full moon of Spring. It’s a strange liminal time-frame whereby spirits can descend to Earth and live amongst mortals. Imagining what this une quarantaine moment would look and sound like I began conjuring a whole world that would exist within this highly charged occasion. Quarantaine has one foot in reality, but by “entering” through the tree portal the women give themselves up to the unknown. Inside there are new rules, new educational structures, and new languages to learn. I was thinking about a model of an ‘educational institute’ and the process of acquiring new codes of learning and ways to communicate. My research for the film was extensive and prolonged. I was looking at Marian mythology and its power over female pedagogy, the psychological systems of Wilhelm Reich, musical, vocal and movement teachings from Kodaly, Orff and Keetman, Delsarte and Mettler and also metaphysical transformation from the Rosarium Philosophorum as well as exercises in wellbeing and spiritual purity inside the ancient Chinese Daoyin Tu manuscripts”. 

Interview with the artist from Pinksummer’s press release on the occasion of the screening program of Quarantaine (May 05- September 17, 2022).

You can read the rest of the interview here.

 

Courtesy the Artist, Film Video Umbrella London, Glasgow International 2021, Leeds Art Gallery and Art Fund (Moving Image Fund). © Georgina Starr & Pinksummer Contemporary Art

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"Information is power. But like all power, there are those who want to keep it for themselves. But sharing isn’t immoral – it’s a moral imperative” (Aaron Swartz)

di Georgina Starr
  • Georgina Starr is a British artist best known for her video, sound and performance artworks. She emerged in the early 1990s with a series of complex works exploring fragile phenomena through audio, text and moving image. With a focus on female identity, memory, alchemy and film history she creates multi-layered theatrical events, sculptural installations, films and fictions. Starr has exhibited widely over the last 30 years in galleries and museums both in the UK and internationally, from the Museum of Contemporary Art Sydney and Tate Britain to Kunsthalle Zurich and Museum of Modern Art in New York. Recent exhibitions include a solo show I, Cave at mima in 2015, the sculpture/performance commission Moment Memory Monument presented at Palazzo Reale in Milan in 2017, a survey exhibition Hello. Come here. I want you. at Frac Franche-Comté and the performance commission Androgynous Egg for Frieze Projects in 2017. Her latest work Quarantaine (43mins) was commissioned in 2019 by Film Video Umbrella (London), Hunterian (Glasgow), Art Fund (Moving Image Fund), Glasgow International and Leeds Art Gallery. The film premiered at Glasgow International (Gi 2021) in June 2021 before travelling to Leeds Art Gallery(2021) and to Pinksummer Gallery (2022). She was shortlisted for the Film London Jarman Award 2021.