Sougwen Chung, Assembly Lines, 2022.
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Cybernetic Culture Research Unit

Il Numogramma Decimale

H.P. Lovercraft, Arthur Conan Doyle, millenarismo cibernetico, accelerazionismo, Deleuze & Guattari, stregoneria e tradizioni occultiste. Come sono riusciti i membri della Cybernetic Culture Research Unit a unire questi elementi nella formulazione di un «Labirinto decimale», simile alla qabbaláh, volto alla decodificazione di eventi del passato e accadimenti culturali che si auto-realizzano grazie a un fenomeno di “intensificazione temporale”?

K-studies

Hypernature. Tecnoetica e tecnoutopie dal presente

Avery Dame-Griff, Barbara Mazzolai, Elias Capello, Emanuela Del Dottore, Hilary Malatino, Kerstin Denecke, Mark Jarzombek, Oliver L. Haimson, Shlomo Cohen, Zahari Richter
Nuove utopieTecnologie

Dinosauri riportati in vita, nanorobot in grado di ripristinare interi ecosistemi, esseri umani geneticamente potenziati. Ma anche intelligenze artificiali ispirate alle piante, sofisticati sistemi di tracciamento dati e tecnologie transessuali. Questi sono solo alcuni dei numerosi esempi dell’inarrestabile avanzata tecnologica che ha trasformato radicalmente le nostre società e il...

Crop Over
Magazine, PLANARIA - Part II - Giugno 2023
Reading time: 1 min
Sonia Boyce

Crop Over

Sonia Boyce, Crop Over, 2007
Sonia Boyce, Crop Over, 2007Sonia Boyce, Crop Over, 2007

 

Sonia Boyce, Crop Over, 2007
Photo: William Cummins. Courtesy the artist and APALAZZOGALLERY.

Two-channel video or video projection and printed wall paper Shaggy Bear
15 minutes.
Dimensions variable.

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"Information is power. But like all power, there are those who want to keep it for themselves. But sharing isn’t immoral – it’s a moral imperative” (Aaron Swartz)

di Sonia Boyce
  • Sonia Dawn Boyce, OBE RA (born 1962), is a British Afro-Caribbean artist, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. With an emphasis on collaborative work, Boyce has been working closely with other artists since 1990, often involving improvisation and spontaneous performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores the interstices between sound and memory, the dynamics of space, and incorporating the spectator. To date, Boyce has taught Fine Art studio practice for over thirty years in several art colleges across the UK. In 2022 her exhibition “Feeling her Way” at the Great Britain Pavilion won the Golden Lion as Best National Participation at the Venice Biennale of Art 2022.